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Tuesday, 28 June 2011
Photography Tips, Essential Skills, Quickly Transform Your Photos

Sunday, 26 June 2011
Landscape photography weekend course at TAFE
Monday, 20 June 2011
Using HDR as a means to an end – when you don’t want the HDR look.
There are literally thousands of images residing in hundreds of galleries on hundreds of web sites that are (almost) without exception beautiful pieces of photographic art, and I applaud the authors for their creativity.
However, some photo communities do not accept HDR images into their group, preferring to feature only images that are a clear, detailed and attractive result that still looks “real” after post camera processing, without the “overcooked” look of many HDR images.
Also, sometimes I do not want my final image to be an obvious HDR image.
1. Get the tonal values right first.
2. Adjust colour balance to be as accurate as possible.
3. Improve contrast so that it not only looks good but also takes into account the printing process to be used in reproducing the image. For me, processing digital images has to follow these steps in that sequence.
By experimenting, I have found I can use the HDR technique as a TOOL for recovering tonal values, colour balance and contrast, in an image – so that it reflects what I saw at the time of making the image.
I then finish off my processing in Photoshop to ensure the scene looks ‘real’ without strange colour casts, excessive halos or the HDR ‘overcooked’ look.
For other photographers wanting to achieve similar results, here are the steps I go through, using HDR as a tool - the means to an end, rather than the end result itself.
Image 1. I have deliberately chosen this poorly exposed and composed image to demonstrate the process, not to suggest that it is a great image. This is exactly how it came out of the camera, captured as a raw file. We all have bad days from time to time
Image 2. The raw file processed via Lightroom to achieve better tonal range, better colours and contrast, straightening and better cropping.

Images 3, 4 and 5. The Lightroom file, saved as tif files in -1 EV, 0 EV and +1 EV ready for bracketing and tone-mapping in Photomatix v3. (Photomatix v3 gives more flexible control and subtle results than v2 and is a free upgrade for v2 owners.)

Image 6. The ‘default’ Details Enhancer result from Photomatix. Close to what we might normally expect a HDR image to look like.
Image 7. The same ‘default’ result with strength, colour saturation, luminosity, contrast, light smoothing, temperature and tone settings adjusted.
The aim of these adjustments is to achieve a more natural looking result whilst gaining clarity, contrast and definition in both the highlight and shadow areas. Definition that was not present in the original raw file.

Both of these colour results would be acceptable final images whether you are, or are not, a devotee of HDR as a photographic technique.
I usually find that this process will give me better looking images more quickly than solely processing an image in Photoshop to achieve similar results.
Please feel free to comment on this alternative use of HDR.
Thursday, 16 June 2011
June Monthly competition results
Small print - Open
1st John Culver - Varigated Wren
2nd Roslyn Thomson - Big daddy
3rd John Culver - Sturts Desert Pea
3rd John Culver - Fungi
Small Print - Set Subject
1st John Van de Kolk - DIZ House
2nd Bev Bell - Descending Landscape
3rd Benjamin Spencer - Night House
Novice Small Print
1st Jenny Spencer - Kermit's Wallpaper
2nd Benjamin Spencer - Sunset Beach Walk
3rd Benjamin Spencer - Dog's Eye View
Open Colour
1st Graham Dixon - Launceston Low Tide
2nd Benjamin Spencer - Train Tracks
3rd John Culver - Skipton Lake
Colour - Set Subject
1st John Van de Kolk - Christchurch Arts centre
2nd Les Lockland - A working Day in the City
3rd John Culver - Liebig Street
Highly Commended - Graham Dixon - Hoi An Sunset
Monochromatic - Open
1st Benjamin Spencer - Surf Rescue
2nd Benjamin Spencer - Lighthouse
3rd Roslyn Thomson - Sea the Sea
Monocromatic - Set Subject
1st Benjamin Spencer - Eureka Bee
EDPI
1st John Culver - Athabaska Glacier
2nd John Culver - Frill Necked Lizard
3rd Barry Stapleton - Cape Otway
Creative/ Experimental
1st Benjamin Spencer - Three's a Crowd
Sunday, 29 May 2011
150 Years of Colour Photography
http://www.newscientist.com/gallery/a-century-and-a-half-of-colour-photography
Thursday, 26 May 2011
Competition Results May
1 Jennifer Leddin , Joy
2 Diane Wickson , Fountain
3 Benjamin Spencer , Stand Out !
Small Print (Set Subject)
1 Les Lockland , Dull Globe
2 Les Lockland , Humble Gentleman
3 Benjamin Spencer , Breakwater Lights
Small Print Open
1 Benjamin Spencer , When Sparks Fly
2 Bev Bell , Looking for Tadpoles
3 Roslyn Thomson , Cheetah Club
Colour Print (Set Subject)
1 Roslyn Thomson , Fisherman
2 Benjamin Spencer , Image in the Sand
3 Roger Neal , Autumn on the Pond
Colour Open
1 Roslyn Thomson , Rough Coast
2 Craig Homberg , Misty Dawn
3 Benjamin Spencer , Big -Bigger-Biggest
Monochrome (Set Subject)
1 Diane Wickson , Post
2 Benjamin Spencer , Tomatoes
3 Benjamin Spencer , Chess
Monochrome Open
1 Benjamin Spencer , Drought
2 Bev Bell , Water Reeds
3
Experimental
1 John Vandekolk , 2Faced
2 Benjamin Spencer , Beach Trek
3
EDPI
1 Craig Homberg , Moth
2 Craig Homberg , Girl on Guitar
3 Stan McCullagh , River Scene
Thank you to our judges, John Culver and Lorraine Lee
If any of the winners would like your images posted on the blog, please email me a copy of the file to spjev@bigpond.net.au thanks
Thursday, 21 April 2011
South Western Interclub 2011 Results
(click on image to enlarge)
Graham Dixon 2nd Open Colour and 3rd Set Subject Mono
John Culver 3rd Open Colour
Patti Vallance 1st Open Monochromatic and 2nd Set Subject Mono
Thank you to everyone who entered images
Congratulations to Colac Camera Club for winning the overall points total.


Saturday, 9 April 2011
April Competion Results
Novice

1st Benjamin Spencer Birds Of A Feather
2nd
3rd Diane Wickson Cruising Along
Small print Set

1st Benjamin Spencer Flower Of Light
2nd John Culver Star Trails
3rd John Culver Hopkins Falls
Small print Open

1st John Culver Pink Fungi
2nd Benjamin Spencer LOL
3rd Lorraine Lee French Sunflower
Large Print Set

1st Graham Dixon Low Tide
2nd John Culver El Questro Gorge
3rd John Culver Triplet Falls
Large print Open

1st Graham Dixon The 6th W'bool Golf Course
2nd Graham Dixon Port Fairy FF 2011
3rd John Vandekolk Flower show 2011
Monochrome Set

1st Thomas Spencer Ghostly Boom
2nd Benjamin Spencer Twelve Apostles
3rd Benjamin Spencer Full Moon
Monochrome Open

1st Benjamin Spencer Hawk
2nd Thomas Spencer Starway to the Sky
3rd Thomas Spencer Jamaican Sheep
Experimental

1st Les Lockland Golden Years
2nd Les Lockland My VW
3rd John Vandekolk No title
projected image Open

1st John Culver
2nd John Culver
3rd Ian Scott